They’re Not Like Us Vol. 1: Black Holes For The Young
Writer – Eric Stephenson, Artist – Simon Gane
Tabitha has heard voices all her life and she’s had enough. No one will believe the voices are real, not her parents, not her therapist, no one. After a failed suicide attempt, Tabitha wakes to the face of a man who tells her that not only are the voices real, but she’s not the only one with abilities.
But the man who calls himself “The Voice” doesn’t care about saving people. The world has done nothing to help people with strange gifts, so why should they help the world? With their abilities they can take anything they want, and they’re willing to kill for it. And the first thing Tabitha must do if she wants to be part of their group, after surrendering her name, is kill her parents.
Eric Stephenson does very stylized work. His other well-known comic Nowhere Men, imagined the fab four as scientists and brilliant engineers. He’s good at concepts, but not always execution. It’s clear that some of the characters are more or less evil than The Voice and there’s a fair amount of manipulation going on, but there’s really not anyone to root for. If you find out that all of the people in a room have killed their parents so they can beat people up for cool vintage headphones, you’re not going to like those people. Sure some of them are more broken up about patricide than others, but they all did the deed.
The majority of the plot involves Tabitha (called Syd by The Voice) trying to reconcile finding other people like her with the terrible things they do. She can understand some of the vigilante justice part, attacking perverts who can’t even see where the hit is coming from, but that’s not the same as saying that regular humans are somehow less than you. She’s angry that her parents subjected her to psychiatric treatment, that they didn’t believe her, didn’t try to understand her, but she doesn’t want them dead.
Jordie Bellaire’s colors evoke a period feel to the comic though it’s set in the present day, while Gane’s lines give most characters an angular feel, pointy chins. and smirking expressions. True emotion does come through for Blurgirl and Syd, but for most others the look is mostly self-satisfied even when it’s not supposed to be.
The final confrontation with Tabitha’s parents is a nice bit of closure, but the setup for the next arc doesn’t have me that interested. The Voice is just a manipulative bastard, and I’m not sure I want to hear him talk anymore.
This looked interesting, and chapter one ends with a good hook. But by the finish I was ready for it to be over.
(3 stars | Expected more from this)